Archive for December, 2009
Posted on December 28, 2009. Filed under: Advertising, Inbound Marketing, Internet Traffic, Jazz, Newspapers, Public Relations Marketing, Social Media, Uncategorized | Tags: Advertising, diabetes, dLife, Ellie Becker, Howard Steinberg, Jazz, Journalists, Marketing, Miles Davis, Music, New Media, New York Times, Newspapers, pharmas, www.dLife.com |
Today I was in the midst of my usual early morning multi-tasking, reading email, a few favorite blogs and the New York Times online, drinking coffee and eating breakfast while listening to local news and weather on the tube in the background.
Eating in earshot of the TV has become a real crapshoot in terms of whether you’ll be able to finish without a pharma commercial ruining the meal with a nauseating list of potential side effects of some miracle drug. This morning I didn’t get lucky.
As I got into a NY Times story that caught my attention, Adding Fees and Fences on Media Sites by Richard Perez-Pena and Tim Arango, a drug commercial came on, sending me running to preserve enjoyment of my yogurt and fruit. As I exiled myself from the room with the offending commercial, I couldn’t help but think for the umpteenth time that this couldn’t possibly be the result that pharma marketers are looking for.
Particularly in light of the Times article, which focuses on how news media companies are trying to monetize their content, I thought – also for the umpteenth time – about the visionary ideas behind dLife – a multi-media effort focused on helping people living with diabetes to better manage their chronic condition. I had the good fortune to work on the launch of that venture back in 2004. And it can provide a road map for both media companies and advertisers trying to find new ways to succeed.
The genius behind the dLife concept is its founder, veteran marketer Howard Steinberg, who was diagnosed with type 1 diabetes at age 10. Recognizing that successfully managing diabetes represents a lifestyle – a very different view of disease management – he created a multi-media diabetes network that would provide the diabetes community with a new approach to living well with a life-threatening chronic illness — while building a hugely targeted audience for pharmas and other providers of products and services for diabetes.
dLife has a web portal at its hub plus spokes that include the first lifestyle cable TV show about a chronic illness, a radio ‘tip’ segment and a newsletter. dLife.com is now one of the top diabetes/healthcare sites on the web. Its TV content is consistently award winning. You can follow the company on Twitter — @dLife. dLife members (sign-up is free) get unlimited access to its content, as well as product discounts and online purchase opportunities.
Who pays for all of this? Advertisers do! Gladly! dLife delivers a large community that is almost 100% guaranteed to be interested in advertiser offerings. And, instead of buying expensive national advertising to reach a relatively small fraction of the US population, they can reach dLifers via much less expensive cable, online and radio advertising.
Media companies and advertisers can take a lesson from dLife. Maybe the New York Times, for example, should begin to break down its reader base into affinity groups and build segmented communities that are interested in certain areas of its coverage and would be interested in particular ad categories. The Times seems to be moving in that direction with its Weekender subscriptions and ad campaign that explores what sections people are ‘fluent in’ – read ‘interested in’. It could then offer targeted packages to advertisers – particularly multi-media offerings with built in cross marketing. Like 24/7/365 special advertising sections.
The technology exists online to provide personally segmented advertising. That’s how to get ads to where they’ll actually be appreciated – and effective. In fact, the process could be interactive. I know I would consider self-selecting for relevant ads to keep desirable news content coming – particularly if I could get irrelevant and disgusting pharma commercials out of my life!
I’d love to hear some of your creative ideas for new content/pay models for traditional media.
In honor of Howard Steinberg’s vision, today’s music is the tune Miles Ahead by the visionary jazz man Miles Davis with the Gil Evans Orchestra conducted by Quincy Jones, live at the 1991 Montreux Jazz Festival. Ironically, Davis is listed as a musician who lived with diabetes on the dLife website.
Enjoy! See you soon!Read Full Post | Make a Comment ( None so far )
Posted on December 14, 2009. Filed under: Crisis Management, Crisis Response, Inbound Marketing, Jazz, Public Relations Marketing, Social Media, Uncategorized | Tags: Brian Giesen, Ellie Becker, Inbound Marketing, Jazz, Marketing, Music, PR, Public Relations, Publicity, Social Media, Tiger Woods, Web 2.0 |
This is a follow-up to my last blog post, Tiger Woods: A Social Media Perspective. I just watched yet another one of Tiger’s self-proclaimed ‘romantic interests’ interviewed on a national morning show, which got my Monday off to a pretty depressing start. Click on the music player to listen to an apt accompaniment, jazz saxophonist/composer Benny Golson’s poignant tune, Sad To Say.
Early on in what we now see as an ‘unraveling of the Woods brand’ his response to an emerging sex scandal appeared authentic based on his past history. It was my feeling that it would be his golf fans who would pull him out of this career ditch and that he would do well to further connect with them on social media. As he works to rehabilitate himself with his family and sponsors, this admittedly unsolicited advice could be even more significant.
Here’s why I think so. The central factor in this whole unhappy scenario is rebuilding trust. First and foremost, Tiger Woods broke trust with his wife and children through serial marital infidelity. The love of my life, Jeff Levine, is a talented and skilled psychotherapist who treats relationship issues including infidelity and sexual addiction. We’ve discussed this problem many times in the past few years as one politician or celebrity after another has offered emotional apologies, hied off to rehab or been out-and-out dumped by wronged spouses for similar behavior. I’ve learned from Jeff that overcoming the personality traits that cause people to flee from true intimacy/commitment to others and act out sexually can take many years. Sometimes the marital relationships survive and sometimes they don’t.
Business relationships can be easier to repair if monetary objectives remain aligned and public relations issues are overcome. But there’s a sense of coldness that’s emerged about Tiger Woods in all of this. From pre-nups to high-powered law firms retained to keep indiscretions out of the media to speculation about pay-offs to women for their silence, there’s a sickening quality to how Woods has used the wealth garnered through the mastery of his sport. What we wish to perceive as wholesome has somehow resulted in immoral license.
In what may be a helpful sign for the next phase of Tiger’s crisis, the Twitter stream has slowed long enough that I was able to capture a link to a post from Australian blogger Brian Giesen that presents a Nielsen Online Brand Association Mapping comparison of Brand Tiger before and after. I re-tweeted it and here it is again for all of you interested in marketing geekdom.
When I mentioned, above, who Tiger needs to rehabilitate himself with, I left out his fans. As I perused the #TigerWoods Twitter feed in the past few days, it’s the golf fans who are sticking by their man. They continue to focus on the best of him – his singular athletic ability – and to wish him well. It would be nice if he could summon some personal warmth and turn it toward them. The social Web giveth and it taketh away. It could also serve as a human laboratory for Tiger to learn how to assess, build and keep trust.
Although it’s written in a minor key, today’s tune resolves to a major, providing a hopeful sound. In addition to composer Golson on tenor sax, Art Farmer plays magnificent flugelhorn, Curtis Fuller is on trombone, Mickey Tucker on Piano, Ray Drummond on bass and Marvin “Smitty” Smith on drums. The album is titled The Jazztet – Real Time.Read Full Post | Make a Comment ( None so far )