Jazz
How to Succeed in Magazine Publishing: A Winning Formula
In honor of Moffly Media’s inaugural A-List Awards (read on) today’s musical post is “Shaking the Blues Away” sung by Doris Day. eMail readers need to log-on to listen.
The other evening I had the pleasure of attending an inaugural awards event created by Moffly Media, a local magazine publishing company here in Fairfield County, Connecticut. It turned out to be one more step on a successful path that is keeping the company growing as other publishers are shedding titles and even closing their doors.
The A-List Awards brought back a touch of glamour that hasn’t been seen or felt around here since the onset of the Great Recession. It was done just right; not over the top. And, the awards were perfectly targeted to the advertiser and subscriber base of Moffly’s décor title, atHome Magazine. The well-produced program recognized the top area talent in interior and landscape design and architecture.
It was a great strategic move. And it was handled with sensitivity given the fact that we’re not quite sure we should be celebrating yet. But it sure felt wonderful to all who packed the landmark Westport Country Playhouse. The event benefited a fitting organization – Habit for Humanity of Fairfield County – which made us all feel better about feeling good!
The evening aptly demonstrated the concept at the core of Moffly Media’s success – local community. The family-owned operation began in 1987 when Jack Moffly retired from a 33-year career with Time, Inc. He and his wife, Donna bought the 40-year-old Greenwich Review and ran it as publisher and editor respectively.
They changed the name to Greenwich Magazine. They made it a beautiful glossy dedicated to the upscale Greenwich lifestyle and the singular people who populate the town. Most of all they contributed to the fabric of the community through their personal involvement in its life.
Using the same uber-local approach, Jack expanded into other towns with Westport Magazine, New Canaan-Darien Magazine, Stamford Magazine, as well as atHome. In 2007 he stepped down as publisher and turned over the reins to son Jonathan Moffly, who had joined the family business in 1998. Jonathan was involved in the expansion of titles over the years and since becoming publisher has added online, events and custom media divisions.
Moffly Media has been bold in trying new things, yet it’s grown in measured steps that maintain its basic values and leverage its capabilities. If something works, they apply it elsewhere. For instance, a larger-format private label magazine it developed for a client was so stunning that it led to a re-design of atHome in the same mold.
The company hires top people who are knowledgeable about the towns in which they work and/or their areas of specialization. For example, it tapped Camilla Herrera, longtime features writer for the Stamford Advocate, as editor of the new Stamford Magazine when she became available after newsroom cutbacks at the daily. And James M. Gabal, another Time, Inc. vet recently joined to head Custom Media.
The Moffly’s are terrific business people. They know how to add value for advertisers. The A-List Awards are a perfect example, as are the quarterly DesignDistrict evenings they run to showcase advertisers in the towns they serve. Print and online advertising and sponsorships are another way. They understand PR, too, and the behavior required to maintain a stellar reputation.
The Moffly team seems to share a sense of humanity and respect for all its constituents – readers, advertisers and the advertising/PR/marketing agencies who interact with them. They’re good folks. And it’s nice to see good people succeed!
Other publishers – even those who put out national titles – can learn from Moffly Media’s model. Each audience is, in essence, a ‘local community’. Treating them as such works in print, online and in person everywhere.
Read Full Post | Make a Comment ( None so far )A Word to Wise Nonprofits: Avoid the Pro Bono Trap
The music accompanying this post is about the inspiration I’ve received from everyone I’ve ever met who has committed to a career in the nonprofit sector. I get chills and tears listening to the lyrics of “If I Ruled the World” by Leslie Bricusse and sung here by the spectacular Tony Bennett.
Over the years, I’ve worked with many nonprofits on their marketing and PR programs. The work that nonprofits do is essential to meeting our society’s needs in ways that neither the government nor the private sector can do as well. I consider having non-profit clients a very meaningful part of my practice. I’m writing this post not to be in any way self-serving, but because we need our nonprofits to succeed more than ever!
Although my fees for nonprofits are at a lower rate than for commercial clients, I do not provide my professional services pro bono. I will volunteer in many other ways. However, I believe that marketing is such a mission critical function that I do nonprofit clients no favor by offering a pro bono arrangement. This is a drum I’ve been beating since the stock market crash of 1987 and again in the recessionary aftermath of 9/11.
The topic came rushing back to mind again last week when a respected colleague of mine told me that she had agreed to provide some pro bono web and graphic design services to a local arts group. However, she gave the executive director one condition: No deadlines. She would have to implement the project when she had time, as she owed first priority to her paying clients. This is reality.
And that, my nonprofit friends, is the pro bono trap. You may need a service performed pronto to meet a grant deadline or to announce an important fundraising event. But as the adage warns, “Beggars can’t be choosers.”
When the economy went into the tank in late 2008, many nonprofits immediately cut back or completely curtailed their paid marketing and development activities. So did many for-profit companies to be clear.
During 2009, there were many out-of-work marketers offering free help as a way to keep busy, keep their portfolios fresh or reposition themselves. Admirable that they wanted to turn lemons into lemonade for a good cause.
In 2010, many have either gotten permanent jobs, or transformed themselves into consultants with paying clients.
As the economy improves, nonprofits that have been relying on board members and volunteers to get the word out about their missions, their successes and their funding needs may very well find that they’ve fallen dangerously behind. Pro bono services are generally provided piecemeal in the best of cases. Overall or longer term strategy takes a back seat.
In addition, the world of marketing and PR has changed drastically in the past couple of years. Just putting up a Facebook page – as some organizations have done – does not substitute for preparing to attract meaningful support using online channels. But doing some serious planning and working with professionals – in- or out-of-house – on execution can create never-before-possible efficiencies of scale.
Savvy nonprofit Executive Directors/CEOs need to make a strong case to their boards of directors that marketing is a specialized skill that can’t just be dumped on a volunteer or junior staffer to ‘make it happen’. It goes hand-in-hand with successful development efforts and needs to be in the budget at a serious level every year.
Likewise, foundations and other grantors must recognize that solid and appropriate marketing can help nonprofits leverage funding and improve service to their constituents. Marketing grants need to be more numerous and more generous.
Mind you, I’m not talking about over-the-top direct mail campaigns that, frankly, I find offensive and have written about in the past. Just don’t regard marketing as a frill. Nothing could be farther from reality. As the funding pie shrinks, when it comes to generating revenue it’s the NFP that thinks and acts like a business that will survive to help those who need its services.
Read Full Post | Make a Comment ( 6 so far )Another Marketing Lesson from the Jazz World
Read on to see why today’s tune is “I Didn’t Know What Time It Was” from the new CD “Spiral” by Dr. Lonnie Smith. You can purchase it at your local music store or at www.palmetto-records.com.
As anyone who reads/listens to this blog knows, I’m blown away by jazz. Over the decades I’ve attended countless gigs, jams and festivals. I can’t remember one that wasn’t in some way joyful. Every once in awhile, though, a particular performance stands out from the rest for one reason or another.
Last weekend my darling Jeff surprised me with a Saturday night in New York City to hear the legendary Hammond B-3 organ player Dr. Lonnie Smith play tunes from his new album “Spiral”. Jeff knows I adore the gritty, soulful sound of the B-3 — a throwback to the fifties and sixties.
Now, I’ve heard ‘The Doctor’ many times over the years playing with a who’s who of jazz greats. I knew I’d be in for a sweet hour of music. But this performance reached a particularly exciting level.
Why? The seasoned veteran rounded out a classic jazz organ trio with two incredible young side men – Jamire Williams on drums and Jonathan Kreisberg on guitar. The results of this collaboration across generations – both on the new CD and live — are stunning!
Dr. Smith brought to the stage his deep knowledge of jazz improvisation, and of its roots in gospel and the blues. Williams and Kreisberg brought the dexterity and stamina of youth – along with a bag of fresh ideas. They all brought open minds — the desire and ability to listen to each other with attention and respect.
I’ve never heard ‘The Doctor’ sound better! The huge grin on his face showed elation that the future of his beloved jazz will be bright. I hadn’t heard the other two musicians before, but they were obviously engaged in living up to the legend — and succeeded!
So what does this have to do with marketing? First of all, the battle-scarred B-3 and its ancient amplifier reminded me of the manual Underwood typewriter that was the instrument of my early creative writing. Even though I’ve turned it in for a computer, as a veteran counterpart in my own profession do I identify with Lonnie Smith? You bet!
He confirms the benefit of keeping one’s mind open to what’s new. Next month, for the second year, I’ll be attending the Inbound Marketing Summit near Boston. This event explores the evolution of marketing in our online world. There I’ll collaborate with and learn from the best young minds in marketing today. I’ll be listening attentively for new tools and ideas that I can combine with my experience and judgment to raise my work for clients to soaring new heights.
The marketing world has never been more exciting and I’ve never had more fun at my work. Part of the reason I’m writing this post is to use the lesson from jazz to inspire businesses to embrace the now and the future. Jump in and take a look at how the evolution of marketing technology can make your business more collaborative, creative and successful.
Read Full Post | Make a Comment ( 3 so far )Back on the Content Wagon
Jeff, the love of my life, was practicing his drums this morning to this killer big band tune from George Benson’s Big Boss Band album – “Without a Song.” It struck a chord because content is the ‘song’ of a blog. Enjoy listening and read on for the relevance.
You may notice that it’s the last day of July and this is my first blog post of the month. My days have been full creating content for others and working on a couple of exciting new ecommerce sites that we’ll promote via a content marketing strategy. I, who am thoroughly convinced of the role consistent online content creation plays in business success, fell off the content wagon.
I only created one other piece of content under my own banner this month. It was ‘Working the Web’, the column I co-author for the Fairfield and Westchester County Business Journals with my web development/graphic design partner Bernadette Nelson of Studio B Visual Communication. Ironically the topic was “6 Tips for Getting Over the Content Hurdle.”
What resulted from the column has provided a huge reminder that for my business, content is job one. I’ll share the story, because it’s critical for your business, too.
The first tip in the column is that to begin creating useful content, it’s first necessary to buy in to the fact that this is an important business objective. To support that statement to the Business Journals’ small business audience, I went searching for some recent study data.
Thanks to Google, I found the stats I wanted in the Small Business Success Index, a study created by Network Solutions and the University of Maryland’s Robert H. Smith School of Business. I quoted the study in the column.
Working the Web runs in the two Journals’ print editions and also on www.westfaironline.com. Yesterday, it posted online. Within hours, I received an email from Shashib Bellamkonda, Social Media Swami for Network Solutions.
Remember that the reason this content making for the web works so well is that it’s searchable and findable by people with an interest in certain search terms. Obviously Shashi monitors the web to see where Network Solutions’ content is being disseminated. He found, read – and liked — the column that mentioned the NetSol study.
Shashi emailed to say ‘thanks’ for the mention – and to invite Bernadette and me to write a guest post for Network Solution’s www.growsmartbusiness.com blog. He also tweeted the url to the column to his almost 11,000 followers on Twitter – and is now following my tweets.
The takeaway: Well-made content created for a relatively local audience, once put online, can yield much farther-reaching connections and additional credibility for our businesses.
Given that blog posts are highly searchable and that I’m going to tag this one with his name and the study, Shashi will surely see it. So, thanks Shashi, for helping me get back onto the ‘content wagon’ and for a good idea for this post. Looking forward to writing one for you!!
Read Full Post | Make a Comment ( None so far )Can Good News Sell?
You’ll soon learn why the musical post today is the most classic jazz performance of Route 66 by the Nat “King” Cole Trio with the trumpet of Harry “Sweets” Edison — my favorite version of my favorite “road” song.
I hate to think how many years ago I pitched our local daily paper with an idea for a “Good News” section – an antidote to the remaining 95 percent of its content. It was during the former recession of the late 1980’s, early 1990’s. Given my own bad-news weariness and that of many of my friends and colleagues, it seemed to me that people were hungry for reminders that all was not wrong with the world. My idea was turned down flat by the then-publisher. “Good news doesn’t sell,” he said.
As we inch our way out of this latest – and deeper – recession, I’m once again craving some good news, especially after seeing this morning’s news including the inadequate ‘fix’ for the oil spill in the Gulf. But it seems that not much has changed in the commercial media and entertainment world when it comes to the projects they’re willing to get behind; the Susan Boyle story notwithstanding.
I just watched the pilot for a reality/documentary TV show that, unfortunately, you all may not get to see. There are details I won’t get into, but the main reason is that the subject matter is too positive for the subject matter. I’ll explain.
Last week I received an email from an Oklahoma man named Edward Winterhalder, a foremost authority on the Harley Davidson motorcycle lifestyle. Ed found me through my Twitter profile (listen up you skeptics on the value of Social Media for business). My profile states: PR Professional, Inbound Marketing Consultant – and two-up on a Harley Road Glide. The latter qualification refers to my weekend passion – riding behind the love of my life, Jeff Levine, a Viet Nam vet and talented psychotherapist/relationship counselor, on his Harley Davidson.
Ed was looking for communications representation for his six books (fiction & nonfiction) and TV concept Biker Chicz. He thought that because I ride, and live in his native Connecticut to boot, that I’d be a good fit. He was right in more ways than one. I’m also a fan of good news.
He’s already produced an earlier pilot, “Living on the Edge,” which he sent along with copies of the books to familiarize me with his work. Except for maybe his first book, everything else he’s created addresses the positive side of motorcycle clubs, something I understand well.
Google Ed and you’ll find about 142,000 references. Unfortunately, most of these focus more on his early motorcycle experience as a leader of the Bandidos outlaw motorcycle club (even though only a small percentage of the group qualify for ‘outlaw’ status.)
Today, Ed is a successful real estate developer, as well as author and TV producer. His books are sold around the world, translated into a number of languages by his publishers abroad. The guy is a talented voice for the millions of solid citizens around the world – including my love and me – who come alive on a bike.
Not only do they love the ride, but they’re a generous group, raising millions of dollars annually for good causes too numerous to mention and just doing meaningful deeds. For example, Jeff rode with the Nam Knights motorcycle club here in the New York area to escort a badly-injured Iraq war veteran from a local re-hab hospital to his home way in upstate New York – a tangible tribute to honor his service and sacrifice.
Yesterday morning, we watched the DVD of Ed’s first TV pilot, “Living on the Edge.” The concept: Each episode follows the members of a motorcycle club somewhere in America, examining the causes they embrace and the good they accomplish. It delves into the lives of members and introduces us to their families and friends.
If you went by looks alone, you’d never guess that cast members in the pilot range from a UPS driver, to a project manager for a high-end residential developer, to a man who repairs communications antennae on towers, including atop the Empire State Building after 9-11 — 1000 feet off the ground. Included in each episode’s cast is a bike-riding corporate exec who gets the opportunity to immerse in the lifestyle of the group.
It was an engaging viewing experience, for sure. Yet the pilot is languishing in Hollywood, despite the fact that Winterhalder is well regarded there. Why? Entertainment executives are convinced that the viewing public would much rather watch motorcycle gang violence than the positive side of the Harley Davidson lifestyle.
That’s one more item to chalk up in the bad news category, but personally, I’d rather buy the good news. Anyone with me on this?
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New PR Words - and Music! 
